![]() Indeed, their observations of New York City foibles rang true more than once. The list of producers on the title page of their program, for example, manages to induce a few knowing chuckles. ![]() This is not to say that Kroll and Mulaney are lacking in wit. At the performance under review, the Lyceum Theatre was full of fans who appeared to gobble down every morsel of faux, distasteful witticisms tossed willy-nilly at them, the more tasteless, the better. ![]() Oh, Hello has its roots in The Kroll Show on Comedy Central (2013 – 2015) and Too Much Tuna which ran on public access TV. Geegland, wander about Pask’s brilliant combination apartment/beauty salon/TV studio/street set, musing out loud about their lives, wearing dreadful wigs (credit Leah Loukas) and speaking in a bizarre accent which, for example, turns “Broadway” into “broodway,” “an” into “en” and “homage” into “home page.” In the guise of two old Upper West Side bachelor geezers, Kroll as failed actor, Gil Faizon, and Mulaney as failed writer, George St. ![]() Joel Benjamin, CriticScott Pask’s set for the zany Oh, Hello on Broadway, a ten minute skit run amok, is the wittiest element in this two-man show created by Nick Kroll and John Mulaney, mining material they’ve been working on for the past few years. ![]()
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